A question I often hear from new users, is how to properly relay 5.1 Audio in Premiere Pro CC? Of course, there are a lot of different ways to do this, and we actually covered the topic several years ago, but we wanted to go over it again, as some of the dialogues have changed and things are slightly different than they used to be.
In this video we talk about the December 2015 update to Adobe Premiere Pro CC and some features including some that weren’t advertised by Adobe:
In this video we take a deep dive into the Lumetri Color Panel and the new color correction workflow in Premiere Pro CC 2015. We talk about how to work with each of the panels, clip selection, keyboard shortcuts, and some things you need to know to get moving quicker. We’ll show you a quick way to enable and disable your color grades, quick explanations of waveforms and vectorscopes, and we’ll show you how to use our presets, Color reTooled to get grading quicker and easier in the newest version of Premiere.
To find out more about Color reTooled, check out it’s product page here.
While we don’t have our full in depth coverage of the upcoming release of Premiere Pro ready yet, we didn’t want to leave you guys hanging. The newly announced update to Premiere Pro features a bunch of small user enhancements and a few major features too. In this video we cover what we think are some of the best updates coming to Premiere Pro.
- New Workspace Bar
- The New Color Workspace and the Lumetri Color Panel
- Clip Markers are now visible even when a track is collapsed.
- Track Output Assignments in the Timeline
- New Frame Hold Option to use Source Timecode
- Increase on Handles in Project Manager and Render and Replace to 999
- Ability to Relocate the Anchor Point Like After Effects
- Ability to Hide Items in your Project panel
- Morph Cut
See the official announcement here: