There are obvious shortcuts that everyone needs to know, like how to use the arrow tool or the blade tool, and then there are shortcuts that are a little less obvious. Those are the shortcuts that I’m hoping to go over in this video. Chances are if you are seasoned in Premiere, you know some of these, but hopefully I can shed some light on some that you didn’t know, including some custom keyboard shortcuts that I set up.
The shortcuts I go through:
The Bonus Keyboard Shortcut:
Keyboard Shortcut Dialogue
- Ripple Trim Previous / Next Edit to Playhead
Q / W
- Slip / Move / Trim with Keyboard
Cmd+ Opt ← → / Cmd ← → & Opt+↑ ↓ / Opt+ ← →
- Panel Windows
Shift+1 = Project Panel
Shift+2 = Source Monitor cycles through open clips
Shift+3 = Timeline Panel cycles through open sequences
Shift+5 = Effects Control
Shift+8 = Media Browser
- Trim Edit/Toggle Trim Types
- Nudge Audio Volume Down & Up
[ & ]
- Select Next & Previous Clip
Cmd ↑ ↓
- Replace Clip Match Frame
- Show Video / Audio Keyframes
Cntl+k / Cntl+Shift+k
- Delete Tracks
- Set to Frame Size
If you saw our article a few weeks ago, you’ll know that relinking in Premiere Pro is a bit of a weak spot currently. The particular article had to do with relinking R3D and MOV files, but all around relinking to files that were not your originals is poor. In this video, we go over some tips to get R3D files to actually relink to MOV files. Please proceed with caution as I haven’t done too much testing on this workflow.
A few steps that I didn’t mention in the video, are that I separated out the .R3D files out of all of their original subfolders. I did this by going into the folder that contained them, doing a finder search for .R3D and taking the results of that search and copying them into a new folder. You could also drag them into another folder, but be aware you are messing with the original folder structure. I don’t think there will be any real impact of this, but of course, proceed with caution and make sure no one else is already working with the files in their current structure. Another good step is to make sure the proxy folder structure matches the RED folder structures. So if you move all of your R3Ds out of their folder into a folder hierarchy like REDFiles/Shoot/Day1/CameraA, you should repeat that structure in your proxy, PROXYFiles/Shoot/Day1/CameraA.
You’ll see that this workflow is more of a workaround. So please make sure that Adobe knows we need proper metadata based relinking by sending them a feature request.
With the upcoming Premiere Pro CC 2014.1 update, we’ll have a really powerful Free Draw Bezier, or pen tool built into all of our effects. This includes Lumetri Looks, and looks presets like Color reTooled. With this tool, we can mask, track, and even control the opacity of various effects. In this video, we look at the workflow of doing simple color correction using this new tool in combination with Color reTooled. We demonstrate how even a color correct novice, can quickly do advanced color grading right in Premiere Pro.
If you want to purchase Color reTooled, go to our site:
Please remember Color reTooled is compatible with Premiere Pro CC or later, but the free draw bezier tool is in the upcoming CC 2014.1 update.