Monthly Archives: July 2013
A Demo of Prolost Burns from Stu Maschwitz & a Discount
Well we don’t typically demo other products on the site, but I thought this preset from Prolost was so helpful it was worth it to spread the word. Plus, they are selling it for crazy cheap so I wanted to do my part to put out a good word.
Watch the video to see a demo of the product, and at the end we’ll even give out a promo code to take it from the normal price of $3, down to $2! Not too shabby!
Check out the product site here.
Saturday Night Live Film Unit Adds reLink reTooled to Workflow for Stefon’s Farewell
When the Saturday Night Live season finale aired on May 18, the cast bid farewell to longtime Weekend Update correspondent Stefon in a sketch that used pre-recorded elements conformed on the innovative new tool reLink reTooled.
The short was directed by Rhys Thomas and shot by Alex Buono. Editor Adam Epstein cut the piece inspired by 1967’s The Graduate using Adobe Premiere Pro CS6. Colorist Emery Wells of Katabatic Digital color-corrected the footage in Scratch and rendered the final material to Apple ProRes 4444 for the final conform process. The piece was shot using a combination of Arri Alexa, Red Epic, and Canon EOS 1D-C cameras.
In previous edits, Epstein was forced to realign every shot in the Premiere Pro timeline, redo any repositions, blow-ups, and speed changes and make sure they matched the original offline cut. For the final Stefon sketch, Epstein turned to reLink reTooled, the groundbreaking tool that uses industry standard XML to relink to files of different durations and file names without the frustrations of traditional editing applications.
With the tight timeline of SNL production and post schedule, Epstein shaved precious time off of the process by automating the relinking process and maintaining key information like speed changes and motion properties. “We’re always working up to the last minutes before air, and the final color-corrected overcut is normally the final step. Being able to automate what is often a frantic process and have spare time to focus on other details of the piece is an immense help,” he said.
reLink reTooled can be used with programs like Premiere Pro and Final Cut Pro and allows editors to relink timelines with user-selectable metadata.
Watch Stefon’s sendoff:
http://www.hulu.com/watch/491721
Learn more about reLink reTooled:
http://www.retooled.net/?page_id=784
Pricing and Availability
reLink reTooled is available immediately, priced at $39.99.
reTooled.net is all about making your life easier. Tutorials in editorial, design and compositing, plus innovative new tools like reLink reTooled, maximize standard desktop applications and streamline everyday tasks. For more information, visit http://www.retooled.net.
New Features in Premiere Pro CC 7.0.1 Update!
Well, it seems Adobe has kept their promise to use the new Creative Cloud platform to deliver a whole slew of new features. Now I don’t just mean bug updates as we had seen in the past with the Creative Suite, I mean upwards of 25 new features. In this video we go through the biggest changes to Premiere Pro CC and what you should know and expect from these new features.
And yes, I don’t talk about in this video and I haven’t tested it myself, but there is a fix in this update for the horrible Multicam bug that a lot of users were experiencing!
Check out the video as these really are some big new features.
For a full list of features visit this link.
Media Manager or Project Manager in conjunction with reLink reTooled – Work From Home
Ok, so if you’ve been following the site you probably know about reLink reTooled. You know that it was created to be able to relink files of different titles and durations, for things like relinking an offline edit to a color correct.
What you may not have realized is there is a ton of other ways to use it. In this video, we talk about using it in conjunction with Final Cut Pro 7’s Media Manager or Premiere Pro’s Project Manager. Now we all know we can use these features to archive our projects to make our project smaller. But we can also use them to be able to take our projects on the road without the overhead of all of the original media.
So here’s the scenario, you’ve been working all day on an edit and its starting to get late. You want to finish up the edit at home, but you don’t have time to copy all of the media to an external drive. After all, a large edit could easily contain hundreds of gigabytes worth of footage. Sure, you could media manage your project so you can trim your sequence down to just a few seconds of handles to finish your edit, but how would you then get your edit relinked to your original media when you get back to the office.
Enter reLink reTooled…
Just remember, all of your media needs to be .mov files for this workflow to work!
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